"A heart-wrenching, self-reflecting performance of a striking composition... an extraordinary experience"
-OperaWire
Review of Cantanti Project's production of Euridice by Giulio Caccini
"Fleet fingers... sophisticated harpsichord playing"
-Capriccio
Review of Polyphemus Solo Series recital
"Elegant continuo."
-Arts Fuse
Review of concert with Mistral Music
"Refined and flexible playing..."
-Boston Globe
Review of Helios Early Opera's production of Artemisia by Francesco Cavalli
"Beautifully executed continuo... the organ solo was performed impeccably."
-Local Arts Live, Philadelphia
Review of concert with Buxtehude Consort
"The continuo took a page from the best jazz rhythm sections, adding accents behind recitatives that were felt more than heard."
-Boston Musical Intelligencer
Review of Helios Early Opera's production of Pimpinone by Telemann
"This one rocked."
-Boston Musical Intelligencer
Review of concert with Cambridge Concentus
"Sauerwald provided excellent glue... realizing the figures and cuing by nods."
-Boston Musical Intelligencer
Review of concert with Tramontana and Long & Away
